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Colin Lindo a.k.a Alpha Omega a.k.a Nubian Mindz is a well known name in the Drum&Bass scene for over ten years now. Starting his career as a producer in the early 90s, Colin had his breakthrough with two solo 12” one after the other in 1996 on the legendary Reinforced imprint. “It feels like ‘Alpha Omega’ officially began when I signed to Reinforced Records and recorded those first two singles. That’s where I found a home for all my experiments and ideas and had a chance to develop as an artist as well as rub shoulders with some serious talent. Meeting guys like 4hero, Randall, L Double, Chris Energy, G-force & Seiji, Sonar Circle & Arcon2 was incredible. We’d always be playing new shit to one another down in Dollis Hill & bounced ideas between us non-stop.” In 1999, after numerous releases on “the R”, his first album “Journey to the 9th level” was released together with two other albums by G-Force & Seiji and Sonar Circle. Around the same time, Colin started to produce other styles under his Nubian Mindz alias. “Nubian Mindz started as an outlet for everything I did that was non Drum&Bass. Reinforced always encouraged us to try different styles, genres and sounds and I was always into various styles of music so I wanted to try to produce a real hybrid of all my influences. That’s what the Nubian Mindz stuff is for me, a hybrid of all my influences growing up in London in the 70s and 80s then raving in the 90s as a teenager” With his first Nubian Mindz album in 2000 on Italian imprint Archive and various other tracks and remixes of other artists like 4hero, P’taah or Domu, Colin consolidated his musical career outside Drum&Bass as well. During the following years - and after Reinforced shut down after a glorious era of avant-garde Drum&Bass - the name Alpha Omega appears on various other labels like Advanced, Skunkrock, Trouble on Vinyl, Offshore, Outbreak, Invader and Sonica. And especially during the last two or three years Alpha Omega releases usually appear among the first catalogue numbers of young leftfield labels that see themselves in a tradition to Reinforced. “For me it’s good to see labels around again that support stuff that’s not 180bpm Glam Rock masquerading under the ‘Drum&Bass’ banner. The more mainstream elements of Drum&Bass have gone in a direction that doesn’t particularly interest me. I don’t have a Rock background or even a cheesy Euro Pop background so I can’t do what some of these guys do and if I did I’d feel like a fraud and just wouldn’t be comfortable with it.” In the last couple of years, various tracks by the man saw a release in MP3 format on labels like Forestry Service, Exegene or Subtle Audio Digital. Doesn’t a Drum&Bass legend tend to hold on to hard wax? “Net labels and MP3 online labels don’t have the overheads a vinyl based label has and don’t have to deal with distributors telling them ‘it needs to sound more like such and such to sell’. This avenue now means good music that doesn’t need to follow the ‘Superstar DJ’ guidelines to how a tune should be done and can be allowed to exist and get out there for people to hear on it’s own merits. I guess the only rule you then have to follow is it has to be good! (…) However, despite all these technological developments I’ve noticed a lot of resistance from Drum&Bass fans which has been an eye opener. Every other form of music has moved on and embraced every new media tool possible so as to make the clubbing experience something that’s still new, exciting and constantly changing. (…) Vinyl is nice and was a great DJ tool in it’s time but if it was to die tomorrow then so be it. I’m versatile enough as a DJ/Live Act that it really doesn’t bother me. People really have to get over this nostalgic bullshit and move on.” Nuff said, bring on the tracks for Plainaudio!
coming soon...
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